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The Music Industry and the Tila Tequila Aneurysm
http://youtube.com/mindcrime1994
Sunday, February 26, 2012
The Occult Meaning of Madonna's Super Bowl 46 Halftime Performance
Madonna’s Superbowl Halftime Show: A Celebration of the Grand Priestess of the Music Industry
By VC
February 6th, 2012
Category: Music Business
701 comments
When I learned that Madonna – aka the Grand Priestess of the music industry – would be performing at the Superbowl halftime show, I thought: “This should be interesting”. And it was. While most were amazed by a woman in her fifties dancing around with LMFAO and others were annoyed at her lip-syncing, I was interested with something else: the flurry of symbolism flashed to billions of viewers worldwide. While most considered Madonna’s performance as an entertaining interlude to the most important football game of the year, those blessed with symbol-literacy will probably agree with the following statement: Madonna’s halftime show was a big celebration of the Illuminati industry and of its Grand Priestess, Madonna.
A week before the Superbowl, Madonna described on Anderson Cooper the spiritual importance she attributed to her halftime show:
“The Superbowl is kind of like the Holy of Holies in America. I’ll come at halfway of the “church experience” and I’m gonna have to deliver a sermon. It’ll have to be very impactful.”
It is rather appropriate that this Kaballah-intiate referred to the Superbowl as the “Holy of Holies” as it was the name of the most sacred place in Solomon’s Temple. No one was ever permitted to enter the Holy of Holies but the High Priest. This privilege was only granted on the Day of Atonement, to offer the blood of sacrifice and incense before the mercy seat. Madonna’s analogy was therefore telling of the mindset behind her performance. Let’s look at the main parts of her show.
Vogue or Entrance of the Priestess
Madonna entrance is an elaborate procession fit for a High Priestess or even a goddess.
Pushed by hundreds of Roman soldiers and welcomed by hundreds of women, Madonna's glorious entrance is a reflection of her status in the entertainment world.
Her first performance was highly influenced by ancient Egypt-Sumeria-Babylon and Madonna’s costume recalls an ancient Babylonian goddess.
The decor of Madonna's first performance combines elements from ancient Egypt, Sumeria and Babylon. Madonna herself is dressed in a way that highly resembles an Ancient Sumerian/Babylonian goddess, Inanna-Ishtar.
Ishtar with her foot on a roaring lion and wearing a distinctive headdress resembling Madonna's horned crown. Ishtar is often depicted with wings, a feature that is recalled on Madonna's "carriage".
Ishtar was a powerful and assertive goddess whose areas of control and influence included warfare, love, sexuality, prosperity, fertility and prostitution. She sought the same existence as men, enjoying the glory of battle and seeking sexual experiences. Madonna’s portrayal as Ishtar is therefore quite interesting as one can argue that the pop singer has embodied, throughout her career, the same assertive yet highly sexual qualities of Ishtar, even achieving a state of power in the music industry that is usually reserved to men. On an esoteric level, Ishtar is associated with the planet Venus, known as the Morning Star or the Evening Star.
The presence of two Sphinxes in front of Madonna greatly resembles the tarot card The Chariot. According to Manly P. Hall: "This card signifies the Exalted One who rides in the chariot of creation. The sphinxes drawing the chariot resent the secret and unknown power by which the victorious ruler is moved continuously through the various parts of his universe."
So, in this mythologically-charged setting, Madonna performed Vogue. During the performance, covers of Vogue Magazine were displayed, a publication that is at the forefront of Illuminati symbolism in fashion (as seen in the series of articles Symbolic Pics of the Month).
Vogue ends with a symbol that is consistent with the Egyptian-Babylonian theme of the performance, one that is also of highest importance in occult Secret Societies such as Freemasons, the Rosicrucians and the Illuminati: the Winged Sun-Disk.
The song ends with the displaying of a Winged Sun-Disk.
Egyptian mystics used the winged sun for ritualistic magic and invocations:
“‘Emblematic of the element of air, this consists of a circle or solar-type disk enclosed by a pair of wings. In ritual magic it is suspended over the alter in an easterly direction and used when invoking the protection and co-operation of the sylphs.”
-Hope, Murry, “Practical Egyptian Magic”
The winged sun is still being used today by groups like the Freemasons, the Theosophists and the Rosicrucians.
“The Winged Globe is pre-eminently a Rosicrucian symbol, although the Illuminati may lay claim to it, and it may be admitted that it is of Egyptian origin. The Winged Globe is the symbol of the perfected soul making its flight back to the source of its creation in the Elysian fields beyond.”
-Swinburne, Clymer, “The Rosicrucians, Their Teachings”
The symbol of the winged-sun inside a Masonic lodge.
The display of this symbol, although apparently trivial and aesthetic, emphasizes on the occult spiritual dimension underlying Madonna’s entire performance.
Give Me All Your Luvin’ or Madonna’s Sex Kittens
Later in the show, Madonna performed her new single Give Me All Your Luvin’. The song features two new industry favorites: Nikki Minaj and M.I.A. In the song’s music video and during the Superbowl performance, these two female rappers are portrayed in a specific way: Instead of being presented as full-fledged artists contributing to Madonna’s song, they are portrayed as her “minions” who are cheering for the industry’s High Priestess. This “relationship” where Madonna is in power – and therefore the handler – is drenched in Mind Control symbolism, specifically Beta Programming, also know Sex Kitten Programming.
In the video for Give me Your Luvin', Madonna, Nikki Minaj and M.I.A. are dressed as Marilyn Monroe, the ultimate prototype of Sex Kitten Programming.
Another symbol associated with Sex Kitten programming is feline prints clothing and textiles. The entire half-time show was an animal-print extravaganza.
Like a Prayer or the Final Sermon
Madonna closed the halftime show with one of her biggest hits: Like a Prayer. The video of this song was always controversial due to its mixing of religious themes with sexuality. As the song starts, the show takes on a very solemn and spiritual vibe as Madonna and Cee-Lo Green enter the stage to give the final sermon. Religious figures are usually dressed in white to represent purity and godliness. The two singers where dressed in black robes and black robes are usually used in…black masses.
As the song begins, a huge eye pupil is displayed before the stage, hinting to the Illuminati-influence of this spiritual performance.
Madonna’s halftime show ends in a dramatic yet very significant matter:
At the end of her performance, the floor opens underneath Madonna's feet and she falls into oblivion.
As Madonna is swept in what appears to be the “Underworld”, Madonna sings “I hear you call my name, And it feels like home”. This is another inversion of conventional religious symbolism as “home” should be in the heavens. In Madonna’s case, she obviously didn’t go in that direction.
The show ends with a message no one can disagree with.
The words "World Peace" appear on the stage, a PR-friendly slogan used by those pushing for a New World Order lead by a one world government.
In Conclusion
When taken individually, the symbols described above can be simply considered as “cool-looking” and most Superbowl viewers did not give them much attention. The packing all of these signs and symbols in one comprehensive 13 minute performance cannot however be dismissed as “random images”. Quite to the contrary, the combination of all of these symbols form a whole and define with great depth the underlying philosophy and Agenda of those in power – the Illuminati. Madonna’s embrace of the Illuminati symbolism discussed on this site coincides with her signing with Interscope Records, one of the main purveyors of Illuminati symbolism in the music industry. Her halftime show performance can therefore be considered as the “launching” of her three-album (and 40 million dollars) relationship with the prominent label. Madonna’s Superbowl performance has shown that, despite the fact that she is an industry icon and that she pioneered most of the themes modern pop stars still exploit, she still needs to fit the mold and to embrace the same symbolism rookie pop stars.
Laced with profound imagery, Madonna’s halftime performance was a massive Illuminati ritual, one that was witnessed by billions of viewers. On this Superbowl “Day of Atonement”, Madonna, the High Priestess of the Illuminati industry, entered the Holy of Holies of America and delivered a 13 minutes sermon that was heard by all…but understood by few.
Monday, November 15, 2010
To The TruthThursday, June 24, 2010
The Music Industry and the Illuminati
The 2009 VMAs: The Occult Mega-Ritual
Sep 25th, 2009 | By Vigilant | Category: Vigilant Reports
From unexpected drama to shocking performances, MTV’s 2009 Video Music Awards managed once again to raise eyebrows and get people talking. What most people however missed is the occult meanings encoded into the VMAs. The TV event was in fact a large scale occult ceremony, complete with an initiation, a prayer and even a blood sacrifice. We’ll look at the symbolism that went on during the show.
MTV’s Video Music Awards have often incorporated dark and strange acts, even containing some occult symbolism. This year’s version has however outdone itself. The show left most people wondering what was wrong with Kanye West or trying compute the madness of Lady Gaga’s performance. The only way to understand the real meaning behind those performances is to look into esoteric teachings. Fact is, the whole awards show took the most common rituals of occult orders and reenacted them in a show witnessed by the entire world.
This year’s VMA’s were very different from other awards shows. They focused on a very limited number of artists (Beyonce, Taylor Swift, Lady Gaga), while ignoring many others who were equally successful. The “chosen” artists became characters in the VMA’s ceremony and acted out different ritual dramas. This might sound totally crazy to the average MTV viewer but those acquainted with the practices of occult orders (such as Freemasonry) can decode the references to sacred rituals. There are numerous types of fraternities and rituals, from the most noble to the most infernal, and they have existed throughout History. The VMAs were decisively inspired by dark, sinister and even Satanic ceremonies. Let’s look at those rituals.
Madonna, the music industry’s High Priestess, the revered “elder” of MTV, opens the show with a very solemn eulogy for Michael Jackson. She admittedly never really knew or “connected” with him but she was still chosen to pay him tribute. Madonna is a well known and publicized adept of the Kaballah, the esoteric school of Judaism which is studied in most occult orders. Rabbi Ariel Bar Tzadok explained how she uses (or abuses) Kaballah symbolism in her music:
“I discovered that Madonna’s famous dabbling with sacred Jewish mysticism has taken an interesting turn. In her latest music video for the theme song of a new James Bond movie, the “material girl” of old is transforming herself into a “Kabbalah girl.” Aside from the traditional Madonna blend of music and sensuality, in this video we see Madonna has a Holy Name of G-d tattooed onto her right shoulder. Tattooing, mind you, is a practice forbidden under Torah Law, all the more so abhorred by the Kabbalah. Granted the tattoo may not be real or only temporary but nonetheless, any expression of performing a forbidden act is itself forbidden and inexcusable. Unfortunately, Madonna’s abuse of Kabbalah and traditional Torah Judaism does not stop here. Later in the video we see Madonna winding leather straps around her left arm in the exact same format and style as holy tefillin are worn by religious Jewish men. Tefillin consist of a small leather box containing scared parchments. These are then strapped to one’s left biceps, and the strap is wound down the left arm and around the hand. Granted Madonna did not go so far as to defame the tefillin boxes themselves. Yet, it is quite clear that the wrapping of the straps around her arm is done in orthodox Torah style. This act of hers is pure sacrilege.” -Rabbi Ariel Bar Tzadok, Madonna’s Kabbalah – Not Kosher
http://www.koshertorah.com/PDF/madonna%20kabbalah.pdf
Madonna’s tribute focused on the fact that MJ was “otherworldly” and “a king” but that she insisted on the fact that he was also a human being. Wisdom that can only be imparted by the High Priestess, while members of the audience bowed their heads and meditated on those words. Her words had a deep Kabbalisitic resonance. The speech was followed by a video tribute to Jackson, which oddly started with Thriller, displaying on a huge screen the face of MJ as a decaying zombie who is risen from the dead. We then hear Price’s verse in the song saying:
“Darkness falls across the land
The midnite hour is close at hand
Creatures crawl in search of blood
To terrorize yawls neighbourhood
And whosoever shall be found
Without the soul for getting down
Must stand and face the hounds of hell
And rot inside a corpses shell
The foulest stench is in the air
The funk of forty thousand years
And grizzy ghouls from every tomb
Are closing in to seal your doom
And though you fight to stay alive
Your body starts to shiver
For no mere mortal can resist
The evil of the thriller”
It is only fitting that MJ’s greatest was included in his tribute. But this was a rather gruesome way to start a posthumous tribute. Someone, somewhere made some odd choices, but this somehow fitted the “vibe” of the rest of the show.
Taylor Swift’s Initiation
“I’mma let you finish!”
Taylor Swift wins the “Best Female Video” award and goes up on stage to give her thank yous. Kanye West pops out of nowhere, taking the mic from her hand, and informed her that Beyonce had “one of the best videos of all time“. This scene has caused much controversy and has earned Kanye the title of “Douchebag of the year” plus a the honor of being called a “jackass” by the President of the United States. I might shock some people by saying this… but this “unexpected” event was… STAGED! There I said it. Did you ever watch a crappy reality show and had the gut feeling that the whole thing was scripted? Well, I’ve got an overload of that feeling while watching that. None of the people implicated (not even Beyonce making her “I can’t believe this is happening” face) are good actors. Furthermore, I’ve been following Kanye’s career since his beginnings and I’ve retained one important fact about him: the only thing Kanye West cares about, is Kanye West. So if he had to throw a hissy fit about something, it would had been about him not winning. Not Beyonce. Him. This scene is in fact Taylor Swift’s initiation into what I call “The Circle of Chosen Artists”. The pupil is humiliated in front of her peers and told that she is not worthy to be on the same stage as Beyonce, the queen of the ceremony. Almost all groups, fraternities and gangs carry out an initiation process to test the recruit’s character, strength and worth. Swift’s ordeal was to have Kanye ruin her first award ever and to be told that she didn’t deserve this recognition. The rapper is known for bitching during award shows so he was the perfect candidate to make it all seem “unexpected”.
The Prayer
“Who wants to pray to the devil with me?” Jack Black comes out dressed as a heavy metal guy on steroids to promote a video game. At one point he asks the audience to put their devil horns in the air and the proceeds to pray to the “darklord Satan”. The whole thing is light-hearted and comical but I don’t see any other way a prayer to Satan can be inserted into a primetime show without getting a truckload of complaints by “concerned parents”. The scene starts off semi-funny but Jack Black finishes off on a more serious note by saying: “I ask you to grant tonight’s nominees with continued success in the music industry“. This last phrase actually reveals a dark truth about the entertainment business. So the net result of this scene is this: everybody threw up their “devil horns” hand sign, then took each other’s hands and prayed to Satan. This piece of pre-rehearsed comedy might have been an insignificant skit in another show. But in the context of this one, with its many recreations of occult rituals, the skit takes a whole other, sinister meaning.
The Blood Sacrifice
Lady Gaga’s performance was hailed as “brilliant” by many music fans. If you however ask them what it symbolizes, their face turns into a question mark. Here’s what Gaga said about her performance during an interview at gagadaily.com
Do you think it will be one of those defining moments people will remember at the VMAs?
I know it will. I sort of have this philosophy about things: there’s never a reason to do something unless it’s going to be memorable, unless it’s going to change things, unless it’s going to inspire a movement. With the song and with the performance, I hope to say something very grave about fame and the price of it.
Something grave? What?
You’ll have to see.
What are you going to wear?
I would say that the fashion for the performance is a representation of the most stoic and memorable martyrs of fame in history. It’s intended to be an iconic image that represents people. I think after watching the performance and maybe studying it after you watch it on YouTube, you’ll see the references and the symbols come through.
The setting for the performance is very symbolic. Gaga performs in a temple or maybe an aristocratic mansion, complete with columns, chandlers and paintings. Occult rituals, mind control experiments and even human sacrifices have been constantly rumored to take place in those kinds of settings. One feature I cannot ignore is the presence of two massive pillars underneath an arch.
Decor of Gaga’s performance. Notice the two pillars and the arch above Those are unmistakable Masonic symbols as depicted on this lithograph:
This obvious reference to Freemasonry hints to the occult and ritualistic aspect of Gaga’s performance. Masons are known to carry in their lodges ritual dramas, which are live reenactments of allegorical stories. Gaga’s performance symbolizes her rise to fame and the sacrifice she had to make in order to succeed.
When the bloody Gaga is lifted in the air, an eerie light comes out of of between the pillars and the dancers lift their arms in the air in praise. Many ancient religions carried out ritual sacrifices to please the gods. Blood sacrifices have also been viewed by black magicians as the ultimate way to collect spiritual energy. The final scene of the performance conveys the presence of this mysterious “force” after a sacrifice.
Rising star
Right after her performance, Gaga appears dressed in an all red dress, with her face completely covered. She is basically a walking, talking blood sacrifice. It represents the aftermath of fame, the hellish life that follows the sacrifice, the selling of the soul for success in the music industry.
“This if for God and the gays”
Pink’s Masonic Initiation
There is no way a Mason can watch this performance without recalling his initiation into the First Degree. Here’s a description by Mark Stavish:
“The candidate for initiation is stripped of all material possessions and dressed in a strange and peculiar garb (…). This includes a blindfold and a length of rope called a cable tow.”
He continues
“The blindfold used represents secrecy, darkness and ignorance as well as trust. The candidate is led into the lodge room for initiation but is not able to see what is happening. He is bound about the waist and arm with the cable tow.”
-Mark Stavish, Freemasonry: Rituals, Symbols and History of the Secret Society
The initiate is blindfolded, attached to a cord with the left breast and left leg exposed Pink is blindfolded and bound with ropes. Her costume exposes her left breast, exactly like Masonic initiates. Instead of having her left leg exposed, Pink’s costume bears a diamond pattern which is very reminiscent of floors in Masonic lodges.
Eastern Star Lodge Pink’s performance was a dizzying display of acrobatics which undoubtedly left her (and the viewers) totally disoriented. This is also a feature of Freemasonry’s First Degree initiation:
“His eyes are then bandaged against and a cord in the form of a noose is passed round his neck. At this point the novice is entering the marginal stage, associated with ordeals; he cannot see, his sense of direction has been confused and he has been dressed like a victim for execution.”
-J.S. La Fontaine, Initiation – Ritual Drama and secret knowledge across the world
Pink’s performance was yet another blatant reference to ritual dramas in occult orders.
Taylor Swift’s Acceptance into the Order
“Can we try this again now?”
After Swift’s public humiliation, Beyonce, the queen of the ceremony, calls her up on stage to let her “have her moment”. She appears from backstage (as if awaiting her cue) in a red dress which is strikingly similar to Beyonce’s. A reader of this site has noticed that, at the moment the two singers hug, a strange phrase appears on the screen behind them saying “RDFO IL 40 PRO DEL ATO”. I have no idea what that means, but it was there. If you solve this enigma, be sure to post it in the comments. **Editor’s note** Pretty sure it means “Ilford Delta Pro film”.
Is this a computer glitch or a coded message? Taylor Swift being called on stage represents the fact that she is now accepted as an equal to Beyonce and part of the “chosen ones”. The matching dresses also convey this sense of belonging to a new group. She “passed the test” – the ordeal of being humiliated – and she can now reap the rewards of being an “insider”.
To Conclude
Award ceremonies like the VMAs define and crystallize the pop culture of an era. It consecrates the chosen artists while leaving the others dwelling in the shadows of anonymity. As seen above, the whole show was heavily permeated with occult symbolism, primarily focusing on the “initiation” aspect of it. Why is MTV exposing young people (who know nothing about occultism) to such rituals? Is there a subliminal effect on the viewers? Are we educating the new generation to accept these symbols as part of popular culture? There is definitively a second layer of interpretation in many of MTV’s products. To decode those symbols is to understand the inner-workings of the entertainment industry.
I know there’s a bunch of details I didn’t cover – Be sure your findings in the comments section!
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